Riverland Community College

This course is the first semester of music theory and aural skills designed for music students, elementary education students, or anyone desiring to develop and improve skills in reading, writing, and understanding music. Students engage in interactive musicianship development including aural, improvisation, and composition skills. Those with little or no music reading background are encouraged to take MUSC 1100 prior to enrolling in 1101.

MnTC (Goals 6/HU and 2/CT); (4 Cr – 3 lect, 1 lab)

Music as a living language of love, politics, spirituality, war, and identity is examined through a variety of learning experiences. From songs of ancient world cultures to American Top 40 hits, common social themes and musical traits are traced, compared and contrasted to help students build an understanding of how music has – and continues to – reflect and advance the human experience. No prior musical training or experience is necessary for this introductory course. MnTC (Goal 6/HU and 7/HD); No prerequisite.

(3 Cr – 3 lect, 0 lab)

This course introduces proven strategies and applications to help students achieve greater success in college and in life.  Topics include, but are not limited to, time management, goal setting, learning strategies, critical thinking, communication skills, diversity awareness, health and wellness, college and community resources, and financial planning.  This course introduces students to making choices that promote responsibility, motivation, interdependence, and self-awareness.  Recommended:  Score of 52 or above on test Accuplacer Reading Comprehension.
(1 Cr – 1 lect, 0 lab)

MUSC 1102 is a continuation of the study and application of music theory knowledge as well as the continued development of practical musicianship skills: sight-singing, ear training, improvisation, and composition.    Prerequisite: MUSC1101 or instructor approval. 

 (4 Cr – 3 lect, 1 lab)

Students desiring to impact society through music are guided through the design and execution of their own unique music engagement plan. Possibilities include a field experience working with youth, elderly, special needs, or immigrant communities; designing performances; creating online or other distribution strategies for self-created music; and collaborating with others on unique projects.

(1 Cr – 0 lect, 1 lab)